The deep thinking DJ.


So this is a bit of a strange one. What on earth am I going to talk about now you might be thinking. Let me explain… But first a small introduction.

During this horrible pandemic of Covoid 19, I decided to treat myself to a new Kontrol S3 DJ controller. I’ve always dabbled in DJing. I actually went to Manchester DJ academy when I was 17/18. I learnt how to beat match and understand the basic 4/4 rules and breakdown of music. It helped a lot.

 

I had belt drive Soundlab decks and a Citronic mixer. I loved it. But I had no idea what I was doing! Not only was I learning how to mix but I was also learning how to keep my belt drive turntables alive! I mixed vinyl and added CD decks a few years later.

Years went by (I won’t bore you!) and now nearly two decades later I am back doing DJ mixes regularly. But now it’s live on YouTube and all MP3! Very different.

So why the deep thinking?

I find myself now planning and thinking about mixing a lot. In-between work and being with my family I am planning my next mix. But it’s not just planning. I think about it very deeply. I plan. I create private YouTube playlists and study the tracks. Whilst working on my laptop I am listening to a playlist over and over again.

Then; I think about the journey, the story. What track’s work, what don’t. Which need replacing or moving to next week’s mix. What is the track telling me? Is it happy, sad, neutral? What is the energy and vibe of the track? What about the lyrics? Where does it sit in the order? Beginning, middle or end? Does it work harmonically? What root key is it?

I wonder how I will mix it with the next track. Where are the breakdowns and opportunities to tease the next track in? When should I drop the base or use a filter effect?

What effects might work well with this track? What won’t? How can I add movement or add a better build-up to the track? The list goes on…

For me, it’s not just about playing the latest music. It’s a journey. A story being played live. I know the tracks are not mine but I desperately want my listeners to understand why I chose the tracks and why I delivered them in the order that I did. As rvery ticking beat passes by the waveform on the screen I look at an imaginary crowd, hoping that they are enjoying it.

But the mix goes quickly. And before I know it I am cueing up the last track, which I have delicately chosen and given the honour of ending this set. The ending track is an important one for me. Like the ending of a film. The last moments mean a lot.

After mixing live for an hour I am knackered. Emotionally drained… But as soon as I put my headphones down the addiction starts again.

It tells me I need to start planning my next mix. 

It’s exhausting.

But I love it.

It’s time to come back!


Hello old and new readers. I have not really used this blog much in the last two years. Moved job, now with two kids in a new house and busier than ever. 

But two weeks into Covid 19 and I thought to myself; I should blog again. I am doing so much interesting software, hardware and workflows research that I wanted to capture it.

Anything I can share I will and if it helps others then that’s a bonus. That’s what this blog was all about from the beginning. So let’s get going again!

Where has 2016 gone?


Well. Where has 2016 gone?! Blimey.

I realised a few days ago that I have not blogged in months and months… very poor of me.

So here is a very quick update about me. I am now a dad. I have a lovely son called Seth who is now 8 months old at the time of writing this blog post.

I now work at Backstage Academy – part of Production Park. I work as a visual production lecturer teaching assorts; from Adobe After Effects, Photoshop, Isadora and lots of other cool modules.

I am currently being trained up in D3 (D3 technologies), Notch, Maya, Green Hippo and other visual software and hardware.

I haven’t done too many freelance jobs due to my family expansion and new job, but I am still heavily involved with Isadora and still do the odd freelance job here and there.

I will start posting lots more I promise!

Bye bye 2014


So 2014 is drawing to a close. I’ve not been as active since June/July this year. Ben very busy with family stuff and then been spending much more time on Isadora version 2.0.

But I wanted to draw 2014 to a close with some cool videos, interesting new software and videos/info I’ve found over the last 12 months. In no particular order;

The MYO:

“The Myo armband lets you use the electrical activity in your muscles to wirelessly control your computer, phone, and other favorite digital technologies. With the wave of your hand, it will transform how you interact with your digital world.”

I really like this product. I think it’s much more ‘interactive’ than the leap motion. There are now OSC outputs so it can be used with lighting, video and anything really. In particular check out this video with DJ Armin Van Buuren:

https://www.thalmic.com/en/myo/

 

Bazik:

Bazik is the VJ software I have been waiting for… for a long time! I love audio visualisation software and this one for me is he BEST! Not just because they have made me a beta tester; but because it can create really cool stuff really quickly! With OSC (free touchOSC template) and Syphon output – wow it’s brilliant. I tend to send the video out to Isadora and sub-mix it with really cool results.

http://bazik-vj.com/

 

Guildhall School of Music and Drama:

It’s been really great to work with GSMD and my friend Dan Shorten on various projects in 2014. It has also been great to see BA degree programs and Isadora develop develop in education. Check out all the videos in the link below and of course if you are interested in any of the courses then email them or go to an open day!

http://www.gsmd.ac.uk/technical_theatre/programmes/ba_hons_video_design_for_live_performance/watch_our_videos/

 

FeinSinn:

I mention FeinSinn a lot. This is because Alexander Nantschev and Elke Pichler have worked so so hard to get to where they are now. Doing really cool shows and using some really nice Isadora programming, unique audience interaction, specialist movement, motion tracking and amazing sounds – what else could you want? As always it’s been a pleasure to help them out.

Here is just one video, but be sure to check out the website!

 

And of course Isadora! Version 2.0 is out for pre-release with public release very very close! It’s been a big leap and i’ve been privileged to have helped along with other members of the team.

New Features include:

  • IzzyMap – Projection Mapping in Every Projector Actor
  • FreeFrameGL – High Speed, GPU Based Video Effects
  • AVFoundation Video Playback on Mac OS X — Play 4 x 1920×1080 H264 Clips on a Standard Laptop
  • Spout Support for Windows
  • HAP Codec Support
  • Javascript
  • A Spiffy New User Interface

http://troikatronix.com/troikatronixforum/discussion/1458/isadora-2-0-availability-starting-monday#Item_1

 

Have a good New year and see you in 2015!

Don’t let Apple kill Open Ni


http://petitions.moveon.org/sign/apple-let-apple-kill

Written by Mark Coniglio:

Artists, designers, makers, and tinkerers around the world have leveraged the power of 3D cameras like the XBox Kinect and XTion Live to create innumerable interactive installations, performances and other compelling works of art. The OpenNI SDK is a key technology behind many commercial and open-source software programs that have empowered this artistic expression. So, we were surprised and shocked when we saw the notification on the OpenNI site that said the web site would close on April 23rd.

Apple, you bought Prime Sense, and now you want to kill this critically important technology. We’re respectfully asking you: don’t do it.

Many of us in this community remember a time when Apple was our champion. You provided us with a truly innovative operating system that offered unforeseen ways to interactively control and present media. This in turn led to the development of of thousands of applications that empowered tens of thousands of artists to inspire and entertain audiences around the globe. (And, by the way, help you sell millions of computers.)

Mr. Cook, your action to take away OpenNI runs counter to that history. We know your priorities have changed. We know that it’s all about mobile devices these days. We understand that you likely have your own plans for 3D imagining technology.

But, empowering personal expression through technology was one of the core values that made Apple the great company it is. We are asking you to remember that part of your history today, and to support us by changing course. Keep OpenNI open and available to us.

PLEASE SIGN THE PETITION! WE NEED THIS TO STAY!

http://petitions.moveon.org/sign/apple-let-apple-kill